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PERIOD
WINDOW GLASS
GLASS TYPES AND MEASURES
AN IRISH PERSPECTIVE
Nessa Roche’s history of the Irish
market for glass closely mirrors
English practice but with some
specific local differences.
This information comes from research
being carried out into the development
of window types and window glass in
Ireland. Both took a similar form to that in
Britain. Glassmaking and importation are
covered in the research, which has
thrown up some interesting facts on the
types used and the measures and quanti-
ties which were standard. Glassmakers in
Ireland were almost exclusively foreign,
and importation was far more common
than domestic production, so the infor-
marion listed here will be relevant to
Conservation Officers and others in Brit-
ain who may come up against some of
the obsolete terminology in old docu-
ments and building accounts. A very in-
formative book is that of Richard Neve
-
The City and Country Purchaser, 1703.
Each glass type had a different measure-
ment of square footage per case, cribb,
chest, basket, way or webb. Here the
types of glass, with description if known,
are given, and the differing quantities and
measures are listed at the end.
TYPES
Two main types of glass were manufac-
tured before the 19th century, both
blown, of which panes are commonly
found in old windows and need to be
treated with the greatest of care.
Broad glass is generally termed ‘white’;
a blown cylinder was formed, and when
cooled, a diamond used to cut the cylinder
along its length. This was heated and the
cut cracked. When the cylinder was hot
and the glass fluid, the opened cylinder
was helped to flop down flat onto a
sanded surface (refinements in man-
ufacture meant that the cutting and laying
out could be done in one operation,
making the whole process much quicker).
The characteristics of this glass are a
pocked surface, with streaks from the
timber battens used to flatten it. After the
introduction of crown, broad glass
quickly became the second choice, used
in the main for quarried glazing.
Crown glass was perfected (or invented)
by
London glassmakers in the late 17th
century, and it had a crucial advantage
over broad in that once formed no part of
the glass came in contact with any sur-
face while hot. This is termed ‘fire-pol-
ished’. Also a blown glass, a sphere of
glass was made, transferred to a punty
rod (a solid rod as opposed to the hollow
blowing rod) and the open end widened
out until by centrifugal force the glass
spun to a flat disc. This glass has a lustre
unknown on other types, and slight con-
cavity, or appearance of curves, from the
method of manufacture.
Plate glass was also used, but was so
expensive owing to the many hazards in
manually grinding and polishing it, that,
as a window glass, use of it was restricted
to the very wealthy. Before the 1770s it
was blown; the commercial success of
the Chance Brothers in casting plate (not
an invention since this was previously
known) led to cast plate becoming
common, especially for mirrors. The time,
materials and labour involved ensured
that the price did not drop dramatically.
The blown disc or cast plate was brought
to a mirror-quality surface by grinding
with fme sand, then polishing with
pumice and rouge. The finished surface
does not have quite the same shine as
crown. The imperfections are erratic,
not running to any pattern.
VARIETIES COMMON
Crown glass: London, Bristol or Dublin
crown; noted as carried or sold by side,
crate or case. A whole case consisted of
24leaves; half cases were also sold. Neve’s
Purchaser gave various types, the best
being Ratcliffs in London of a light sky
blue colour. Lambeth glass inclining to a
darker green. Hues are attributable to
prevalence of iron pyrites, magnesium
used to counteract the iron, and general
imperfections in raw material. Bristol
was considered very desirable in Ireland
in the early 18th century, sold, as all
crown, in best quality, 2nd best and 3rd
best. The first crown glass shop set up in
Dublin met with universal esteem, but
use of Irish glass was sporadic, the Eng-
lish having had a head start. By the mid
19th century it was losing out to ma-
chine-assisted cylinder sheet glass, but
was still in wide use; the list of imports
into Ireland in 1915 mention crown
among items from the USA.
Burgundy:
a ‘white’ glass, it was also
imported in colours in the 18th century,
though none of these are listed. It was
sold per chest or case, coloured being
substantially more expensive. It was pos-
sibly quite similar to Normandy glass.
Normandy: also a ‘white’ glass, it came in
colours, as Burgundy, these not noted.
Sold per case, cheaper than Burgundy in
the late 18th century. Thornton quotes
an early 17th century French source that
Normandy was sold in baskets contain-
ing 24 circular pieces of blown glass
about 70 cm diameter. It was superior to
Lorraine glass; Louw notes that in the
1660s it was considered the finest glass
on the English market. Neve’s Purchaser
describes it as dirtyish green, more trans-
parent than Newcastle.
Rhenish: no record of use of this glass has
been uncovered by me, but details of
measures exist. It was sold by the way or
webb, containing from 60 to l00 bunches,
each of 6 plates about two foot square.
The name implies a German source, and
Neve notes a German white and green
glass
-
free from spots or blemishes,
some fine streaks, like Newcastle. Agreen-
ish tinge to the green glass, both types
superior to Newcastle, straighter too.
Newcastle: sold in cribs. This glass was
very widely used up till the late 18th
century, the commonest white glass to
obtain. After the commercial success of
crown glass, broad was usually used for
quarries, where its obvious imperfec-
tions were not so noticeable
-
the leaded
window being less translucent. Neve as-
cribed to
it
an ash colour, with specks
and blemishes, very often warped.
Muscovy glass is a type which mysteri-
ously has only shown its name in one
source so no other information can be
given, but it is listed specifically in the
window glass section, and for several
years, it would be assumed that a mistake
was made. Sold by the pound, it was
called Muscovy glass or shade. Tantalis-
ingly, at the start of the 18th century,
glass listed as imported included that
from Norway and the East Country. Any
information on this would be gratefully
received
(and can be passed on by the
Editor).
Jealous glass: this seems to have been the
first patterned glass, presumably with
the purpose of privacy in mind. Neve
describes it as wrinkled, cast on a mould,
12
CONTEXT 48
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